"When people say ‘This is my baby,’ they don’t always mean a baby. Sometimes they mean a dog."

A Somali student, on what has surprised her most about the United States. (via africandogontheprairie)

(via bigmouthsparesagain)

nevver:

Glitchy, Sabato Visconti

(Source: fatmagic, via lactoseintolerart)

(Source: filmchrist, via bigmouthsparesagain)

laughingsquid:

Corrections, A Clever Comic Illustrating the Many Ways to Fix Mistakes During the Creative Process

laughingsquid:

Corrections, A Clever Comic Illustrating the Many Ways to Fix Mistakes During the Creative Process

vicemag:

We interviewed Werner Herzog about films, football, WrestleMania, and the loathsome trend of children’s yoga classes.

vicemag:

We interviewed Werner Herzog about films, football, WrestleMania, and the loathsome trend of children’s yoga classes.

nevver:

What We See When We Read

nevver:

What We See When We Read

"A kiss in the dark, that’s what this first line is – Wait. What just happened? Who? – a confusing first kiss. We all would like to think that with one line, one brush, we could make a reader fall madly in love, and there are writers that illicit such a response with the appropriately gorgeous. I read a piece where a writer described her stories as beasts gnawing off the lovely clothes she had carefully dressed them in. I, too, find the stories that I will to be beautiful and charming end up, despite my efforts, strange creatures running for the woods. I’m asking you to kiss this strange creature in the dark, dear reader. And after, I want you to think, ‘A little weird, unnerving, but I’d do it again.’"

I’ve written before about the First Sentence series at Granta. The magazine asks a prominent writer to explain how they came to write an opening line. Recently, they asked Bear Down, Bear North author Melinda Moustakis to talk about the beginning of her story “River So Close”: “She’s a good-for-nothing chummer.” You could also read Jonathan Russell Clark on the art of the opening sentence. (via millionsmillions)

(Source: bobbymoynihans, via bigmouthsparesagain)

nevver:

⌘ P, Lisa Currie

nevver:

⌘ P, Lisa Currie

theparisreview:

“Washington Square gives less sense of the neighborhood than of interiority.”
Sadie Stein on Henry James’s New York stories.

theparisreview:

Washington Square gives less sense of the neighborhood than of interiority.”

Sadie Stein on Henry James’s New York stories.

hyperallergic:

(via Man Vandalizes Jeff Koons Retrospective [UPDATED])
A man briefly disrupted the Jeff Koons retrospective at the Whitney Museum this afternoon, splashing red paint against a wall and signing his name. He did not vandalize any artworks.
READ MORE

hyperallergic:

(via Man Vandalizes Jeff Koons Retrospective [UPDATED])

A man briefly disrupted the Jeff Koons retrospective at the Whitney Museum this afternoon, splashing red paint against a wall and signing his name. He did not vandalize any artworks.

READ MORE

laughingsquid:

‘Bodega Cats In Their Own Words’, A Series Telling Stories of New York City Bodega Cats from Their Own Perspective

(Source: thesimpsonswayoflife, via bigmouthsparesagain)

bigmouthsparesagain:

white-people-be-like:

When will they learn

Making a racist joke is not a prank. It’s being a dick.